Julian Travis Ximenes
"I’m a filmmaker who likes quiet stories — the kind that say more through light and timing than dialogue. I make short films that focus on atmosphere and emotion.”
THE CANDLE GATE — PROJECT PAGE
SYNOPSIS
The Candle Gate
The Candle Gate is not a house.
It only appears as one.
The Candle Gate is an interdimensional base whose trajectory intersects with countless worlds. When its path crosses developing or unaware civilizations, the structure disguises itself—adopting forms that feel familiar, overlooked, and safe. In this cycle, it wears the shape of a house.
There are many corridors throughout the galaxy.
There is only one Candle Gate.
At the heart of the corridor burns a flame that can never be extinguished. The flame does not change. What changes is the candle that bears it.
The candle serves as the corridor’s spiritual sensor—a living conduit through which presence, intent, and character are recognized. Through it, the corridor listens. Command is not assigned by rank, but by resonance. Only a consciousness capable of bearing the weight of the Gate can shape the candle’s form.
A commander must always exist.
Without one, the corridor cannot hold.
CHARACTERS
Jack Bo Jack
Jack Bo is forever bound—part of the Corridor, part of the Candle.
Caught in stasis, he is the original captain. Always present. Always ready. He may leave his post, but only for a predetermined moment. Step too far, and he will die.
Jack Bo is procedural, grounded, and instinctively alert to imbalance. He operates within the rules of the Gate, yet shows signs of questioning what those rules ultimately serve.
The candle he carries is both tool and burden—an object of responsibility rather than power. His presence suggests that the Gate does not only test those who pass through it, but also those assigned to protect it.
Captain Jules Patrick
Captain of the Gate Keepers.
Interim Captain of The Candle Gate.
A figure caught between roles—enforcer and conscience.
Captain Jules exists at the fracture point between obedience and choice. His decisions ripple outward, affecting not only outcomes, but alignments within the system itself. The question surrounding Jules is not what side he is on, but whether sides can remain fixed once the Gate is engaged.
HQ: The Candle Gate
Admiral Pete Quillock
Command authority within the Gate system.
Admiral Quillock represents structure, hierarchy, and long-range consequence. His understanding of the Gate extends beyond immediate passage—into policy, containment, and legacy.
Where others see thresholds, Quillock sees infrastructure.
HQ: Command Gate
Klik-Tar
Inter-dimensional custodians armed for correction.
The Candle Gate is not a doorway.
It is a junction—where realities intersect, and where certain paths must never be disturbed.
Klik-Tar are deployed when instability persists beyond containment. Their function is not punishment, nor revenge, but restoration. They remove variables that threaten systemic balance.
Captain Jules Patrick is one such variable.
As Interim Captain of The Candle Gate, Jules remains mobile.
Mobility creates uncertainty.
Uncertainty creates risk.
Klik-Tar are not hunting him out of malice—
but because he can still alter outcomes.
This is the rule of The Candle Gate.
The Candle
The candle is sentient.
At The Candle Gate, the flame is not a prop.
It is not fuel.
It is not decoration.
The candle is aware.
It listens.
It reacts.
It remembers.
Every captain imprints something of themselves onto the flame—their will, their temperament, their intent. The corridor responds accordingly.
Jack Bo does not speak to himself at the Gate.
He argues with it.
Sometimes the flame answers —
not with words, but with movement.
Gate Guard
Soldiers stationed at all inter-dimensional gates under Command Gate authority.
Their function is to prevent intrusion and unauthorized inter-dimensional travel. Gate Guards maintain perimeter control, enforce passage protocols, and respond to breaches when containment fails.
They are not arbiters of judgment.
They are the first line of enforcement.
The Corridor
A transitional space designed for interdimensional travel.
The corridor is neither hallway nor chamber—it is an active environment.
Sound, movement, and light shift in response to presence, creating the sensation of being assessed rather than escorted.
Passage through the corridor is never passive.
PRODUCTION STARTS JUNE 2026
The Written Storyboard / Shot Design Log is available upon request for select professional inquiries
